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in the embellishment of a poem, another to patch up the poem itself from such materials. What consistency of style and execution can be hoped for from such an attempt? or, rather, what bad taste and tedium will not be the infallible result? A blending of popular legends, and a free use of the songs of other bards, are features perfectly consistent with poetical originality. In fact, the most original writer is still drawing upon outward impressions--nay, even his own thoughts are a kind of sec

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of _that_ when they fall in love.” “Was there no good in your affectionate behaviour to Jane while she was ill at Netherfield?” “Dearest Jane! who could have done less for her? But make a virtue of it by all means. My good qualities are under your protection, and you are to exaggerate them as much as possible; and, in return, it belongs to me to find occasions for teasing and quarrelling with you as often as may be; and I shall begin directly by asking you what made you so unwilling to come to the point at last. What made you so shy of me, when you first called, and afterwards dined here? Why, especially, when you called, did you look as if you did not care about me?” “Because you were grave and silent, and gave me no encouragement.” “But I was embarrassed.” “And so was I.” “You might have talked to me more when you came to dinner.” “A man who had felt less, might.” “How unlucky that you should have a reasonable answer to give, and that I should be so reasonable as to admit it! But I wonder how long you _would_ have gone on, if you had been left to yourself. I wonder when you _would_ have spoken, if I had not asked you! My resolution of thanking you for your kindness to Lydia had certainly great effect. _Too much_, I am afraid; for what becomes of the moral, if our comfort springs from a breach of promise? for I ought not to have mentioned the subject. This will never do.” “You need not distress yourself. The moral will be perfectly fair. Lady Catherine's unjustifiable endeavours to separate us were the means of removing all my doubts. I am not indebted for my present happiness to your eager desire of expressing your gratitude. I was not in a humour to wait for any opening of yours. My aunt's intelligence had given me hope, and I was determined at once to know every thing.” “Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Lo