in them; hence the three goddesses, Minerva, Juno, and Venus, bathed there before they appeared before Paris to obtain the golden apple: the name Xanthus, "yellow," was given to the Scamander, from the peculiar colour of its waters, still applicable to the Mendere, the yellow colour of whose waters attracts the attention of travellers. 99 It should be "his _chest_ like Neptune." The torso of Neptune, in the "Elgin Marbles," No. 103, (vol. ii. p. 26,) is remarkable for its breadth and massiveness of development. 100 "Say first, for heav'n hides nothing from thy view." --"Paradise Lost," i. 27. "Ma di' tu, Musa, come i primi danni Mandassero a Cristiani, e di quai parti: Tu 'l sai; ma di tant' opra a noi si lunge Debil aura di fama appena giunge." --"Gier. Lib." iv. 19. 101 "The Catalogue is, perhaps, the portion of the poem in favour of which a claim to separate authorship has been most plausibly urged. Although the example of Homer has since rendered some such formal enumeration of the forces engaged, a common practice in epic poems descriptive of great warlike adventures, still so minute a statistical detail can neither be considered as imperatively required, nor perhaps such as would, in ordinary cases, suggest itself to the mind of a poet. Yet there is scarcely any portion of the Iliad where both historical and internal evidence are more clearly in favour of a connection from the remotest period, with the remainder of the work. The composition of the Catalogue, whensoever it may have taken place, necessarily presumes its author's acquaintance with a previously existing Iliad. It were impossible otherwise to account for the harmony observable in the recurrence of so vast a number of pro